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Hat trick

May29
by Greg Cravens on May 29, 2012 at 9:20 am
Posted In: Dirty Pictures

So I went to the National Cartoonist Society’s Reuben awards this past weekend.  Part of the goody bags (totes filled with books, pens, catalogs, drink cozy, pins, shirts, etc.) is the HAT.  You had your choice this year of Navy or Pink Hat.  My wife and I both took Navy hats.  Later during the conference, I noticed that there were still a lot of pink hats left.  So I had an idea and asked for another hat.  Pink, please.  Then went around asking hotshots to autograph it.  Of course, I put my official NCS pin on it and a Hubris sticker, just to kick-start the thing.

└ Tags: Ainsley Olsen, Alan Gardner, Bill Holbrook, Bill Janocha, Blazek, Bud Grace, Dan Pirraro, Dan Thompson, Greg Walker, hat, Jack Pittman, Jeff Keane, John Lotshaw, Lemon, London, Mark Parisi, Michael Jantze, Michael Ramirez, more and more, Mr. Ollie, NCS, Nick Meglin, Norm Feuti, Reuben, Sean Parkes, Terri Livenson, Tom Richmond
8 Comments

There’s always more Tom Foolery

May26
by Greg Cravens on May 26, 2012 at 12:01 am
Posted In: Non-Hubris comics

You guys needed more Tom Foolery.  I could tell.

 

 Comment 

I, Mud.

May24
by Greg Cravens on May 24, 2012 at 12:01 am
Posted In: Blog

This is going on around here.  I’ve always said I’m going out there and take the kids and all.  This time?  Going.

http://luvmud.com/

└ Tags: Island, LuvMud, Mud, Mud Island, obstacle
1 Comment

Lot of Max

May22
by Greg Cravens on May 22, 2012 at 11:23 am
Posted In: Non-Hubris comics

There were, as I’ve said, a LOT of Max cartoons drawn and printed over a long period of time. The first ones were drawn on huge sheets of bristol paper, to a size that I estimated using measurements of Bloom County comic strips and then carefully studying a photo of Berke Breathed on the back of one of his books. In the photo he was holding up one of his originals- to a group of penguins, if my memory isn’t too distorted.

Anyway, the original Max cartoons were drawn HUGE with pens and brushes dipped in ink. With rulers and lettering guides and everything.

Later, they were done smaller, then finished and colored in the computer. Now, those files are so old that my copy of Illustrator (which is NOT the latest) doesn’t recognize the gradient patterns I used on them. And the files had to be rescued from 3.5 floppies, syquest cartridges and Zip drive cartridges. Now, things are on a backup hard-drive and writable DVDs.

What I’d like to do is go into the attic for you guys and find those huge old pre-computer originals, scan them and color them. I miss Max a bit. And man, some of those old strips were FUNNY.

Here’s a resurrected file found on some poor old CD in a pile, just to keep you busy.

└ Tags: bench jeweler, Fargotstein, James Delgadillo, jewelry, Max, Maxtoon, maxtoons
 Comment 

More Max

May19
by Greg Cravens on May 19, 2012 at 10:14 am
Posted In: Non-Hubris comics

 

A comment was added earlier today that read simply  “Max was my father.”  For those of you with a Star Wars fetish, forget all that stuff. This wasn’t some crazy plot twist that turned a thirteen-year-old’s world on it’s head!

Max was the inspiration for a local jewelry wholesaler’s comic strip.  When I say “Jewelry Wholesaler”, you need to think of something bigger and more impressive than you are just now. Fargotstein and Sons (I believe that was the official name- forgive me if I’ve misspelled or misremembered) was a massive building that employed many interesting people.  In the time before computers, they generated a LOT of paper.  One of the kinds of paper was a trade newspaper that doubled as their catalog updates.  (Their catalogs were truly something, too)

And one of the features that was in their trade newspaper was a comic strip.  I, a young cartoonist who had been supplying them with line art of ring findings and similar stuff, had been asked if I could do the comic strip they wanted.  Well, of course they hadn’t thought of me as a cartoonist, they’d thought of me as a technical illustrator or that-kid-that-can-draw or something.  I said, “Why yes, I can happily supply you with a comic strip.”

And for years, I did.  Max was the name they gave me, and I was told that Max was a Bench Jeweler.  I was introduced to Fargotstein’s bench jeweler, who showed me how and where he worked.  I was given a few personality cues about Max, and was set to work.

All that was years ago.  The real Max, of course, had already gone before I started the cartoon, and since then Fargotstein’s is gone, too.

Imagine how strange it is to suddenly hear “Max was my father.”  The Max in my head is entirely a cartoon character, drawn mostly on 22″ bristol paper because there was no computer into which he needed scanning.  But of course, there are other people who knew the REAL Max.  A real Max who never knew there was a cartoon character based loosely on a brief description of how fantastic and talented a guy he was.

Weird.

 

 Comment 
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